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Deleuze's Cinema Books: Three Introductions to the Taxonomy...

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Deleuze's Cinema Books: Three Introductions to the Taxonomy of Images

David Deamer
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Explores all the concepts in Deleuze’s Cinema books, using contemporary film readings as illustrative examples for each concept

Deleuze’s two Cinema books explore film through the creation of a series of philosophical concepts. Not only bewildering in number, Deleuze’s writing procedures mean his exegesis is both complex and elusive. Three questions emerge: What are the underlying principles of the taxonomy? How many concepts are there, and what do they describe? How might each be used in engaging with a film?


David Deamer’s book is the first to fully respond to these three questions, unearthing the philosophies inspiring Deleuze’s classifications, exploring every concept and reading a film for each. Clearly and concisely mapping the Cinema books for newcomers to Deleuzian film studies, Deamer also opens up new areas of enquiry for expert readers.


Key Features
  • An interpretation of Bergson’s Matter and Memory through Deleuze’s Bergsonism describing the ground of Deleuze’s film-philosophy
  • A reading of Peirce’s semiosis from Pragmatism and Pragmaticism explicating the genesis and components of the movement-image
  • An examination of Deleuze’s syntheses of time, space and consciousness from Difference and Repetition illuminating the genesis and components of the time-image
  • Concise engagements with each of the cinematic signs to assist reading Deleuze’s Cinema books, as well as commentaries and monographs that draw upon them
  • 44 film readings – one for each cinematic sign – to clarify their application
年:
2016
出版社:
Edinburgh University Press
语言:
english
页:
400
ISBN 10:
1474407692
ISBN 13:
9781474407694
文件:
PDF, 12.63 MB
IPFS:
CID , CID Blake2b
english, 2016
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